![]() ![]() The first half chronicles the experience of a British Hong Kong Eurasian. Submitted as part assessment for MA by Practice as Research, Department of Drama, University of Kent This thesis analyses a solo autobiographical bilingual performance first created in 1998 entitled FACE, which was revised and extended in its presentation at the Lumley Studio in September 2006. “Kanaka Maoli” as Metaphors Keith Keeaumoku Mews Ka Liona Hae O, Ka Pakipika (The Roaring Lion of the Pacific) Notes on Contributors Kimura The Revitalization of The Hawaiian Language Kekuni Blaisdell “Hawaiian” vs. Kupele and Puanani Kini The Larry Ching Swing Nonfiction Larry L. Balaz Three Concrete Poems Hoʻoipo DeCambra Two Poems Kū Kahakalau ʻO Kahoʻolawe I Ka Malie Chauncey Carter Two Poems Wayne Westlake Two Concrete Poems Phyllis Coochie Cayan Hakioawa Bay Les Awana The Brand New Day Kalina Aloha Ka Wai o Kulanihakoʻi Tamara Wong-Morrison Two Poems John Dominis Holt Kaʻili Pau ʻImaikalani Kalāhele Two Poems and Art Michael McPherson Two Poems Chant Jonah Hauʻoli Akaka Oli Mānoa Song David M. Delos Santos Pohaku’s Dream Adam Campbell Thirty Calibre Kathleen Ngit Jun Young Digging For Lotus Roots Brenda Pualani Santos Legends Poetry Mahealani Ing Keauhou (Song of Renewal) Dana Naone Hall The House of Light Chris K. 3 - Fall 1989 Leialoha Apo Perkins The ʻUlupalakua Men P. ![]()
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